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First week of the month and it’s changeover time at a lot of galleries. New Hampshire Art Association is no exception. On Tuesday, I joined about 6 other artists to hang Prints of the Year and also repaint and rehang the Small Works Gallery. (OK. I didn’t help with the painting, but I helped with the rest.)

Because of the rather nasty winter weather, the reception has been postponed until next Friday. When you go to the gallery, you’ll find the main galleries filled with prints from some of the best print makers in the state. Parker Potter’s Prints of the Year includes all manner of the printmakers art – wood cuts, silk screens, monoprints, etchings, and various combinations. You’ll find work by Don Gorvett, William Scolere, Kate Higley, Victoria Ellbroch, Scott Schnepf, and many others.

The East Gallery is full of lovely black and white photos by the Seacoast Photo Group. And the South Gallery will have Carol Van Loon’s black and white photos of Barns.

The Small Works Gallery is now repainted and rehung with new work! So check it out.

You’ll find two small pieces of mine on the very far wall of the Small Works Gallery. (That is unless they moved them after I left on Tuesday.)

These are two pieces from my Shelter Series. This series started years ago with some very small paintings with a stylized house image. Some of these initial paintings turned into hand painted cards that were sold to benefit the York County Shelter Program. Hence the name – Shelter Series. Through an event that I ran for years at the Notre Dame Spiritual Center in Alfred, ME, I began a relationship with the shelter program and helped to raise money for their food pantry.

 

 

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OK. This is really embarrassing. It has once again been a long time of silence on my blog. I’m not sure that I can explain why I go through these phases where I want to share everything I create and other times when I’m not nearly as comfortable sharing. I do find it harder to share when the work isn’t going smoothly or when I’m in a transition period.

I have been working on more of the social media series, but felt like this series is ending, at least temporarily. The pieces were interesting, but not nearly as fun as I thought they’d be. I’ve been feeling that it was time to back off for a while now, but I still had several in process. I hesitated to abandon work that is already started, but it just didn’t feel right. For the time being, I’m abandoning the series and the few pieces that remain incomplete. I’ll go back to finish them up when I feel like it’s time. Trying to force these pieces to be done just hasn’t worked.

So for my next experiment, I’m back in play, search, and experiment mode. My plan, such as it is, is to take the next few weeks, maybe a month, and just play around the studio without expectations – without worrying about consistency, or completion, or product, or even permanency.

In some sense, it’s very difficult to totally let go of results. In another sense, it’s very freeing. It will be interesting to see how this experiment goes.

Yesterday, I did some small sketches, just to get back to playing with paint & line.

Today, I just kind of noodled around, prepped some panels, experimented with some ideas, and painted some scraps of paper to use at a later time. Again, there is nothing profound or even particularly interesting about any of this, but it does seem to be part of my process. I’ll keep on painting and playing until I figure out where I’m headed next.

Here are some shots from my studio:

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I’m excited to be in the current show at Twiggs Gallery in Boscawen, NH. “COZY: NH Artists celebrate the joys and comforts of home” will run from November 21 through December 20, 2015.
Please join us for the opening reception: Saturday, November 28th from 3 to 5 pm.

Two of my farm/land paintings are included in this exhibit. “Home on Pine Hill Road #1” depicts the home I grew up in and the area immediately surrounding it. It includes my mother’s favorite maple tree, the huge sycamores in front of the house, the lady slippers and yellow violets which grew in the woods across the street. All the little items on the painting represent a memory from my childhood, a memory of my family, or sometimes just a memory of the stories we grew up with.

“Our Street” is much more explicit. The notes about the neighbors and my family are still visible on this painting. The neighborhood is a checkerboard of land, houses, and families. And some of the little stories that connected us all.

 

I must admit that I’ve skipped some steps. I showed you the first couple of days of developing these paintings. Now I’m skipping to the end. (I do have images of the in-between stages, but haven’t downloaded and processed those photos yet.)

These paintings went through lots of different stages, but I believe they are finally resolved.

What do you think?

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These will be going into the WCA-NH Annual 6 x 6 Exhibition.

I did it again. I went back and forth over when to have my open studio. I like doing the first weekend in November, but I have other commitments this year.  And I have commitments the following week as well. So, I decided to do it anyway, bumping it back into October. I’m not sure that the timing is optimum, but I really like having my studio open and visiting with customers and friends.

So my compromise is to do different days this year. A week earlier and Friday & Saturday, instead of Saturday and Sunday.

I’d love to see you there.

 

So please save the dates –

When: Friday, October 30th, 12 – 7pm and Saturday, October 31st, 12 – 5pm.

Where: My Studio at 70 High Street, Hampton, NH (I’m on the ground floor. Go in the door with the 70 on the door and follow the signs to my studio.)

The different framework of these pieces is causing me to rethink how I’ll structure these paintings. What I was doing on the earlier pieces doesn’t seem like it will work on these, so I’m looking for other ideas. For this reason, the process is going a bit slower than I would like.

I miss the rhythm from those other pieces, but I like the more focused and colorful look of these. I’m hoping this will all work out. Time will tell.

It’s time to get my 6 x 6 panels ready for our annual 6 x 6 exhibition and sale. The exhibit starts the first of November, but the work needs to be delivered shortly.

I thought you might like a sneak peek at the process. We all use the same panels – 6″ x 6″ MDF with a key-hole slot on the back. After prepping the surface, I painted the panels with a couple of coats of white acrylic paint.

And then I start to glue on pieces of paper – newspaper, phone book pages, pieces torn from damaged books, along with my normal selection of bits & pieces of discarded painting pieces.

To continue with the social media idea and to keep in mind the shape of the panel, I started with cutouts shaped like a generic icon (of a woman’s head) similar to what you sometimes see displayed when a user hasn’t provided a profile picture. These were glued onto a rectangular shaped colored background.

The initial pieces look like this –

I’ll be adding more Work-In-Progress shots as these paintings develop.